The joy we feel when watching the sentimental musical comedy "A Crazy, Crazy Family" (1965) by Dinos Dimopoulos is not only due to the skillful cinematography of the plot and the exciting rhythm of the actors' movements, who deliver the witty dialogues of Nikos Tsiforos and Polyvios Vassiliadis. Our enjoyment is also caused by another critical but unspoken factor: the poetic behavior of colors. The latter, thanks to their semantic sensitivity and the dynamics of their vibrant intensities (results of the intersection of the director's gaze with the photographic art of Nikos Kavoukidis), activate an unexpected subjectivity of the cinematic space. Here, it conveys to us the light breath of an ideal element, which, by permeating the encounter of sentiment with the comedic tone of the work, lives within the very theme of the film: in the relationship between the unifying and conflicting dimension of love between man and woman. The author of this book feels and explores the visual - and auditory - logic of the life of such an ideal, as the deepest quality that characterizes this masterpiece of classical Greek cinema.